What is KSE

One martial art. Your own path.

“First it’s your skill level that matters, not the time you spend with us.”— Dakilang Guro Jeff Espinous

Our approach

Kali Silat Evolution is a martial art community built around personal development — practical, efficient, and deeply personal. We see Filipino Martial Arts as one of the most organized and rational fighting systems in existence, and we use it as a foundation for something bigger: the opportunity for every practitioner to define themselves as a martial artist.

KSE is a modern martial art, built by combining Kali, Pencak Silat, and Muay Boran into one complete system for both empty-hand and weapon-based combat. Each tradition complements the others, and progress in one area lifts every other — that balance builds the speed, coordination, and reflexes that carry over into self-defense and competitive fighting alike.

In practice, that system takes shape as ten distinct sub-styles — each trained in its own right, and woven back into the whole.

Sub-styles

The ten sub-styles of KSE

Double sticks

DOBLE BASTON

Double-stick training builds full ambidexterity — correct striking mechanics with the baston in either hand. Many drills, including the woven Sinawali patterns, coordinate both weapons at once, developing the timing and structure that carries through the rest of the system.

Single stick

SOLO BASTON

Single stick is the primary weapon of Filipino Martial Arts, and in many ways the essence of the whole system. Every strike, angle, and footwork pattern trained with the baston translates directly into empty-hand application — the stick teaches the body what the hands will later do without one.

Knife

DAGA

Daga — the knife — is one of the defining weapons of Filipino Martial Arts, and Filipino knife fighting is recognized worldwide for its blunt, survival-first approach. Students learn to handle the blade offensively and, just as importantly, to defend against a knife attack — skills that, as with every weapon in the system, translate directly into empty-hand movement.

Sword and dagger

ESPADA Y DAGA

Espada y Daga pairs a long weapon with a short one — traditionally a stick or sword with a dagger — training students to manage two ranges and two rhythms at the same time. It carries clear traces of the Spanish rapier-and-dagger tradition brought by colonization, adapted over centuries to the shorter weapons and more evasive footwork typical of Filipino Martial Arts.

Filipino trapping

KADENA DE MANO

Kadena de Mano — "chain of hands" — is Filipino trapping at very close range, for the moment a stick or blade exchange closes to grabbing distance. It runs on the "live hand" principle common across Filipino Martial Arts: the hand not currently striking is never idle, working instead to trap, check, and control the opponent's limbs so the next strike lands clean.

Filipino boxing

PANANTUKAN

Panantukan is the boxing component of Kali Silat Evolution, often called "dirty boxing" for its use of groin strikes, headbutts, head manipulation, elbows, and limb destruction alongside the fists. Developed and popularized at the Inosanto Academy — where Jeff Espinous trained directly under Ted Lucaylucay from 1985 to 1989 — it treats striking as an extension of knife-fighting: the same footwork, trapping, and targeting of vulnerable points, delivered with a closed fist instead of a blade.

Sikaran / Muay Boran

SIKARAN

KSE's Sikaran is trained as a blend of two traditions, not one or the other alone. The base is classical Sikaran, a traditional Filipino kicking art from Baras, Rizal province, predating Spanish colonization — its name comes from sikad, "to kick," and it trains almost entirely through the legs, with hands reserved mostly for blocking. Into that, KSE mixes Muay Boran, the traditional, weaponless martial art of Thailand from before the sport of Muay Thai was formalized in the 1930s — closer to how it would actually have been used in self-defense, with elbows, knees, and shins working alongside the kicks. Together they cover the full range where legwork meets the clinch.

Live testing under pressure

SPARRING GAMES

Sparring Games isn't a traditional art in its own right — it's KSE's name for how everything above gets tested live, in careful stages rather than all at once. Training starts fully guided, with the response to a given attack laid out step by step; from there, individual variables are opened up one at a time for the practitioner to solve on their own, building toward free sparring — light or full contact, with appropriate protective equipment — where the full curriculum has to hold up under real, unscripted pressure.

Pencak Silat Beladiri

SILAT BELADIRI

Pencak Silat is a comprehensive fighting system from Indonesia, Malaysia, Brunei, and parts of the Philippines, combining striking, grappling, throws, and an extensive range of weapons into one full-body method. Within KSE, it supplies the close-range, destructive tools that complete the system once a fight closes past kicking and stick range.

Dumog – Filipino wrestling

TULOY NGA TRANGKADA

Tuloy nga Trangkada — known more widely by the generic Filipino term dumog, "Filipino wrestling" — is the grappling side of the system. It works through pushes, pulls, and weight shifts that break an opponent's balance and structure, finishing with joint locks, takedowns, or throws — the same standing, clinch-range wrestling found across Filipino martial arts traditions in the Visayas and Mindanao.

Ranks & progression

14 grades – from Phase 1 to Punong Guro

All gradings require continuous KSE membership. About membership

Student grades

Proficiency. Learning the KSE curriculum precisely as it is taught – our common language.

  1. Phase 1 uniform illustration

    Phase 1

    Student, Phase 1

    • Thorough knowledge and precise execution of the KSE Phase 1 curriculum.
    • At least 4 months of consistent KSE training.
  2. Phase 2 uniform illustration

    Phase 2

    Student, Phase 2

    • Thorough knowledge and precise execution of the KSE Phase 2 curriculum.
    • At least 4 months of consistent training since the last grading.
  3. Phase 3 uniform illustration

    Phase 3

    Student, Phase 3

    • Thorough knowledge and precise execution of the KSE Phase 3 curriculum.
    • At least 6 months of consistent training since the last grading.
    • At least 1 KSE seminar or workshop per year.
  4. Phase 4 uniform illustration

    Phase 4

    Student, Phase 4

    • Thorough knowledge and precise execution of the KSE Phase 4 curriculum.
    • At least 6 months of consistent training since the last grading.
    • At least 1 KSE seminar or workshop per year.
  5. Phase 5 uniform illustration

    Phase 5

    Student, Phase 5

    • Thorough knowledge and precise execution of the KSE Phase 5 curriculum.
    • At least 8 months of consistent training since the last grading.
    • At least 1 official KSE Instructor Camp or Summer Camp per year.
  6. Phase 6 uniform illustration

    Phase 6

    Student, Phase 6

    • Thorough knowledge and precise execution of the KSE Phase 6 curriculum.
    • At least 8 months of consistent training since the last grading.
    • At least 1 official KSE Instructor Camp or Summer Camp per year.

Instructor grades

Deep understanding of the principles. Understanding the principles behind the forms, adapting them, and passing them on as an instructor.

  1. Kadua Guro uniform illustration

    Kadua Guro

    Instructor, 1st Dan

    • Understanding of KSE Program Phase 7.
    • At least 1 year of consistent training since the last grading.
    • At least 1 official KSE Instructor Camp or Summer Camp since the last grading.
  2. Madunong Guro uniform illustration

    Madunong Guro

    Instructor, 2nd Dan

    • Understanding of KSE Program Phase 8.
    • At least 2 years of consistent training since the last grading.
    • At least 1 official KSE Instructor Camp or Summer Camp per year.
  3. Katulong Guro uniform illustration

    Katulong Guro

    Instructor, 3rd Dan

    • Understanding of KSE Program Phase 9.
    • At least 3 years of consistent training since the last grading.
    • At least 1 official KSE Instructor Camp or Summer Camp per year.
  4. Katalungan Guro uniform illustration

    Katalungan Guro

    Instructor, 4th Dan

    • Understanding of KSE Program Phase 10.
    • At least 4 years of consistent training since the last grading.
    • At least 1 official KSE Instructor Camp or Summer Camp per year.

Master grades

Personal expression of the art and active contribution to the evolution of KSE. Moving beyond the forms towards a personal expression of the art, and shaping the evolution of KSE.

  1. Guro uniform illustration

    Guro

    Master, 5th Dan

    • At least 5 years of consistent training since the last grading.
    • Active leadership role in the KSE organization.
    • Awarded only by the KSE leadership team.
  2. Lahong Guro uniform illustration

    Lahong Guro

    Master, 6th Dan

    • At least 6 years of consistent training since the last grading.
    • Active leadership role in the KSE organization.
    • Awarded only by the KSE leadership team.
  3. Masirib Guro uniform illustration

    Masirib Guro

    Master, 7th Dan

    • At least 7 years of consistent training since the last grading.
    • Active leadership role in the KSE organization.
    • Awarded only by the KSE leadership team.
  4. Punong Guro uniform illustration

    Punong Guro

    Master, 8th Dan

    • At least 8 years of consistent training since the last grading.
    • Active leadership role in the KSE organization.
    • Awarded only by the KSE leadership team.

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